Guitara

e|–10–| B|–10–| G|–10–| D|–9—| A|–10–| E|——| e|–5–| B|–6–| G|–4–| D|–5–| A|—–| E|—–| e|–5–| B|–3–| G|–4–| D|–3–| A|–5–| E|–3–|

E Minor Open Chord e|–0–| B|–0–| G|–0–| D|–2–| A|–2–| E|–0–| E Minor Triads e|–x–|–x–|–0–|–3–|–x–|–x–|–x–|–x–|–7–|–x—|–x—| B|–0–|–x–|–0–|–5–|–5–|–x–|–x–|–8–|–8–|–x—|–x—| G|–0–|–0–|–0–|–4–|–4–|–4–|–x–|–9–|–9–|–x—|–9—| D|–2–|–2–|–x–|–x–|–5–|–5–|–5–|–9–|–x–|–9—|–9—| A|–x–|–2–|–x–|–x–|–x–|–7–|–7–|–x–|–x–|–10–|–10–| E|–x–|–x–|–x–|–x–|–x–|–x–|–7–|–x–|–x–|–12–|–x—| E Minor Barre Chords e|–12—-7–| B|–12—-8–| G|–12—-9–| D|–14—-9–| A|–14—-7–| E|–12—-x–|

e|—–| B|–3–| G|–3–| D|–3–| A|–x–| E|–3–| e|–3–| B|–3–| G|–3–| D|–3–| A|–5–| E|–3–| e|–6–| B|–6–| G|–7–| D|–5–| A|—–| E|—–| e|–10–| B|–11–| G|–10–| D|–12–| A|–10–| E|——| e|–13–| B|–11–| G|–12–| D|–12–| A|——| E|——|

E♭m Fdim G♭ A♭m B♭m C♭ D♭ E♭m Fdim G♭ A♭m B♭m C♭ D♭ e|—-6———–2—–4—–1—–2—–4—-| B|—-7———–2—–4—–2—–4—–6—-| G|—-8—–1—–3—–4—–3—–4—–6—-| D|—-8—–3—–4—–6—–3—–4—–6—-| A|—-6—–2———–6—–1—–2—–4—-| E|———-1———–4———————-| i ii III iv v VI VII (Major chords are usually capitalized, minor and diminished chords are lower case) Key of E♭ Minor Using 7th Chords E♭m7 Fm7♭5 G♭Maj7 A♭m7 B♭m7 C♭Maj7 D♭7 E♭ minor […]

Minor Triad Form in Open G (root note in red) Minor Triads Guitar Tab Am Bm Cm Dm Em Fm Gm D|–2—–4—–5—–7—–9—–10—–12–| B|–1—–3—–4—–6—–8—–9——11–| G|–2—–4—–5—–7—–9—–10—–12–| D|——————————————-| G|——————————————-| D|——————————————-| Cm Dm Em Fm Gm Am Bm D|——————————| B|–1—3—5—6—8—10–12–| G|–0—2—4—5—7—9—11–| D|–1—3—5—6—8—10–12–| G|——————————| D|——————————| Cm Dm Em Fm Gm Am Bm D|——————————-| B|–1—3—5—6—8—10—12–| G|–2—4—6—7—9—11—13–| D|–2—4—6—7—9—11—13–| G|——————————-| D|——————————-| Em Fm […]

e|——————————————–0–2–3–| B|————————————–1–4———–| G|—————————–0–3–4—————–| D|——————–1–2–4————————–| A|———–1–2–3———————————–| E|–0–2–3——————————————–| e|—————————————————| B|—————————————————| G|———————-8–9–8———————-| D|————8–9–10———–10–9–8————| A|–7–9–10——————————-10–9–7–| E|—————————————————| e|———————————————–| B|——————–4–5–4——————–| G|———–3–4–5———–5–4–3———–| D|–2–4–5—————————–5–4–2–| A|———————————————–| E|———————————————–| e|————————-11–12–11————————-| B|————-11–12–13————–13–12–11————-| G|–9–11–12————————————–12–11–9–| D|————————————————————| A|————————————————————| E|————————————————————|

e|———————————————–| B|——————–3–5–3——————–| G|———–2–4–5———–5–4–2———–| D|–2–4–5—————————–5–4–2–| A|———————————————–| E|———————————————–| e|———————————————–| B|———————————————–| G|———————————————–| D|——————–0–2–0——————–| A|———–0–2–3———–3–2–0———–| E|–0–2–3—————————–3–2–0–| e|———————————————–| B|——————–4–5–4——————–| G|———–2–4–5———–5–4–2———–| D|–2–4–5—————————–5–4–2–| A|———————————————–| E|———————————————–| e|———————————————–| B|———————————————–| G|———————————————–| D|——————–1–2–1——————–| A|———–0–2–3———–3–2–0———–| E|–0–2–3—————————–3–2–0–|

e|—–|–1–|—–|–4–|—–|—–|—–|——|–8—|——| B|—–|–1–|–1–|–6–|–6–|—–|—–|–9—|–9—|——| G|–1–|–1–|–1–|–5–|–5–|–5–|—–|–10–|–10–|——| D|–3–|—–|–3–|—–|–6–|–6–|–6–|–10–|——|–10–| A|–3–|—–|—–|—–|—–|–8–|–8–|——|——|–11–| E|—–|—–|—–|—–|—–|—–|–8–|——|——|–13–| e|–1—-9—| B|–1—-9—| G|–1—-10–| D|–3—-10–| A|–3—-9—| E|–1——–|

e|———————————————————-10–12–13–| B|————————————————–11–14————–| G|————————————–10–13–14———————-| D|————————–11–12–14———————————-| A|————–11–12–13———————————————-| E|–10–12–13———————————————————-| e|———————————————–| B|———————————————–| G|——————–6–7–6——————–| D|———–6–7–8———–8–7–6———–| A|–5–7–8—————————–8–7–5–| E|———————————————–| e|———————————————–| B|——————–2–3–2——————–| G|———–1–2–3———–3–2–1———–| D|–0–2–3—————————–3–2–0–| A|———————————————–| E|———————————————–| e|———————–9–10–9———————–| B|————9–10–11————11–10–9————| G|–7–9–10———————————-10–9–7–| D|——————————————————| A|——————————————————| E|——————————————————|

An example of a chorus effect is the sound of a choir singing; multiple voices in different pitches sung at very similar times. Chorus effects can produce a more ambient sound similar to flanger effects, but differ in the delay times used. Chorus effects are produced by cloning the sound signal, slightly delaying the signals […]

From the 1950’s to today, the evolution of overdrive and distortion has been a huge milestone in electric guitar history. The discovery of overdrive and distortion for the electric guitar led to so many options for guitarists and made new genres of music possible to take off. Overdrive Overdrive effects pedals mimic the sound of […]

e|–2–| B|–2–| G|–2–| D|–1–| A|–2–| E|—–| e|–9—| B|–10–| G|–8—| D|–9—| A|——| E|——| e|–9–| B|–7–| G|–8–| D|–7–| A|–9–| E|–7–|

The C major arpeggio uses 3 notes from the C major scale. The first note C, the third note E, and the fifth note G. These same 3 notes create the C major chord or triad when played in unison. The red dots of the diagram represent the root notes. These diagrams break the C […]

e|—————————————————–8–10–11–| B|———————————————-9–12————-| G|———————————–8–11–12——————–| D|————————9–10–12——————————-| A|————-9–10–11——————————————| E|–8–10–11—————————————————–| e|———————————————–| B|———————————————–| G|——————–4–5–4——————–| D|———–4–5–6———–6–5–4———–| A|–3–5–6—————————–6–5–3–| E|———————————————–| e|————————————————————–| B|————————–12–13–12————————–| G|————–11–12–13————–13–12–11————–| D|–10–12–13————————————–13–12–10–| A|————————————————————–| E|————————————————————–| e|——————–7–8–7——————–| B|———–7–8–9———–9–8–7———–| G|–5–7–8—————————–8–7–5–| D|———————————————–| A|———————————————–| E|———————————————–|